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E3

13 mins

華江整宅天橋

Huajiang House Overpass

2024/04/20 20:30

SPEEED

Bianca Peruzzi

SPEEED是一個受到90年代在東京俱樂部中流行的Para Para和Eurobeat現象啟發的舞蹈和音樂作品。

Para Para是一種具有豐富色彩美感的舞蹈風格,其使用複雜的動作組合來表達對Eurobeat音樂的興奮和刺激。從研究教學影片開始,SPEEED 將當年的編舞動作改編成 Alberto Ricca(Bienoise)創作的原創音樂。

SPEEED是一部偽裝性的作品,因為它是透過模仿和再現其靈感來源:舞台上的舞者刺激觀眾的反應,而160bpm的節奏將觀眾帶入一個充滿純粹和真摯的熱情旋渦之中。在這個漩渦中,改裝車播放著非常響亮的Eurobeat音樂。

SPEEED is a choreographic and musical project created by Parini Secondo and Alberto Ricca/Bienoise, inspired by Para Para and Eurobeat phenomenon, which spread in the 90s in Tokyo clubs. Para Para is a dance style characterised by colorful aesthetics and hyper-dynamic gestures; its peculiarity is the arm movements, which describe the caffeinic over-excitement of Eurobeat music through complex gestural combinations inspired by Japanese animation.

Originally, fans learned the routines by purchasing VHS tutorials or directly in clubs, where experts would teach the new choreographies to the audience before a party; nowadays, digital archiving has made them available online, where Parini's research already resides. The method developed by the collective consists in the construction of a database of choreographies taken from video-tutorials, studied by each dancer following a common schedule: SPEEED takes shape by adapting these choreographic sequences of the time to the original music written by Alberto Ricca/Bienoise.

SPEEED is a work of camouflage because it faithfully copies its source of inspiration: the dancers on stage stimulate you to react, a 160 bpm slap throws you into a centrifuge of pure and genuine enthusiasm where tuning cars play very loud Eurobeat music.

Parini Secondo

Parini Secondo成立於2017年,由Sissj Bassani和Martina Piazzi所構想,成員包含Camilla Neri和Francesca Pizzagalli。Parini Secondo的藝術家們致力於以多變的方式來探討動作,質疑作者身份和潮流主義的界限。該團體在社會生態和現成行為中,透過網路上他人的創意內容來吸收學習,並混合其他人在線已存在的想法和編舞。Parini 充分的利用、支持開源和 DIY [自己動手] 。
自2019年以來,此團體與電子編曲家、老師Alberto Ricca/Bienoise合作,Alberto參與了《i》(2019年)、《ROCCO》(2019年)、《SPEEED》(2020)和《be me》(2021)等製作。

Parini Secondo was born in 2017 from an idea by Sissj Bassani and Martina Piazzi, involving Camilla Neri and Francesca Pizzagalli.
The collective works on movement in a protean way, questioning the limits of authorship and up-to-dateism. With an ecological and ready-made act, the group remixes other people's ideas found online, assembling choreographies through sampling. Parini exploits and supports the potential of open source and DIY [do-it-yourself].
From 2019, the collective collaborated with Alberto Ricca, a teacher and electronic composer under the name Bienoise, involved in the projects “i”(2019), “ROCCO”(2019), “SPEEED”(2020), and “be me” (2021).

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Pier Paolo Zimmermann

概念設計: Parini Secondo x Bienoise;
協作: Sissj Bassani, Camilla Neri, Martina Piazzi, Francesca Pizzagalli;
音樂設計: Alberto Ricca | Bienoise;
編舞: 由Parini Secondo受到線上資源啟發;
創作支持: Mastronauta Omegna (VCO), Comune di Verbania, Fondazione Comunitaria VCO, Nexus Factory Bologna
特別感謝: Andrea Ruschetti, Riccardo Brezza, Scoppiati Racing Team (Verbania), MIGMA Collective, Centro Commerciale Le Isole (Gravellona Toce, VB), Giostra Esagerata F.lli Uga, La Boutique dell’Autoradio Bologna, Finizio Power Team Bologna, Audiogamma Hi-Fi Trento.

此作品入選2022年Vetrina della Giovane Danza d’Autore、由Dancescapes支持、獲得MIC創辦的 Danza Urbana Festival 移動力補助金 .

Concept: Parini Secondo x Bienoise;
With: Sissj Bassani, Camilla Neri, Martina Piazzi, Francesca Pizzagalli;
Music: Alberto Ricca | Bienoise;
Choreography: Parini Secondo freely inspired by online contents;
With the support of: Mastronauta Omegna (VCO), Comune di Verbania, Fondazione Comunitaria VCO, Nexus Factory Bologna
Special thanks to: Andrea Ruschetti, Riccardo Brezza, Scoppiati Racing Team (Verbania), MIGMA Collective, Centro Commerciale Le Isole (Gravellona Toce, VB), Giostra Esagerata F.lli Uga, La Boutique dell’Autoradio Bologna, Finizio Power Team Bologna, Audiogamma Hi-Fi Trento.

Work selected for Vetrina della Giovane Danza d’Autore 2022 and by Dancescapes, mobility grant by Danza Urbana Festival founded by MIC.

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