Artistic Director, Choreographer and Performer of Scarecrow Contemporary Dance Company (SCDC). Master of Fine Arts in Dance, University of Illinois, USA. Inheritance of two bloodlines from Han and Atayal, Wen-jinn is good at absorbing various forces from the surrounding environment and transforming them into her unique body language and creative energy, and then develops them into a distinct, strong, and moving site-specific performance style. Creativity belief that does not follow the trend, Wen-jinn likes to draw choreographic nutrients from literature and philosophy and use dance as a mirror of observation to reveal the absurdity of life and human nature. She has choreographed numerous distinctive dance works for SCDC since 2010. The Keyman (2010) has been selected by the Ministry of Culture and the Taiwan Cultural Center in Paris, France to perform in 2011 Avignon Off Festival and was praised as an "amazing creation" by the French "Reg'Arts Performance Magazine. Dripping (2015) was invited by Hong Kong Dance Company to perform in Hong Kong in 2017. In addition, Wen-jinn’s choreography is known for her thoughtful and eccentric style challenging from classic literature, such as The Bug (2018), Abyss (2019), Hideout (2021), Figure 7 (2022) and so on.