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瑪麗, 林Mari-Lynn

Mari-Lynn

時間過得太快, 而我慢慢地, 把那些眼光不管是欣賞、愛慕或是什麼別的,都編織起來, 或許是我自己的,慾望、愛、自由、孤獨、歡愉,還有刻意應和情歌的悲傷;而我們, 就一直這樣, 在夢境和清醒之間日復一日,重複不同的相遇, 用一點真實、一點虛偽互相短暫的填補彼此。 ──瑪麗, 林 Mari-Lynn

延續實驗「以建築/空間/環境為創作初始核心」的概念,《瑪麗,林 Mari-Lynn》以臺北市萬華區(艋舺)為主要創作基底,著重於臺灣風月產業之相關歷史、文化脈絡與社會觀點進行創作。當代身體表演為載體,與夢境的感性流動相互交織,在當下的現實空間與超越時空限制的非現實時空之間,呈現艋舺萬華的地理特性及衍生的相關經濟產業,於社會環境的持續轉變中,累積及遺留下來的樣貌。《瑪麗, 林Mari-Lynn》或許來自川流來去此地的人們留下的一縷氣息、一步足跡,甚或又輕又重的情慾流動、情感連結,在時間的甬道裡與空間/環境相互無盡地映照,無數餘光殘影集結印刻在一具肉身,消融後幻化成潛意識深處無止盡的夢。瑪麗, 林Mari-Lynn 既是他/她自己,也是往來無數的眾人,承載此地的過去,存在於當下,也每時每刻亦步亦趨地轉化成未來。

音樂出處:(*以下音樂於作品中皆經剪輯/改編)
1. 蔡小月-台南南聲社:南管散曲-與君共斷;長唄 藤娘 おどり用;姚蘇蓉:負心的人;Miki Asakura:Holding Out For A Hero 1985;Lady gaga:Born this way
2. Kosta T - Complect for...... (Album- complect for......) (CC BY-NC-SA 3.0 US)
3. Schemawound - A Letter Written In Blood (Album- Regardless Of Your Heart One Day You'll Rot.) (CC BY 4.0)

"I, have been slowly collecting all the lights and forming them into a plait as time goes by, there might be some adoration, including desire, love, freedom, loneliness, pleasure and some of the pain written in a cheesy and sensational love song. However, we would meet up between our dreams and realities daily, under different lights, to satisfy each other with the love that is masked by the pretense, and maybe some sincerity." Mari-Lynn says.
Mari-Lynn, a solo performance that is inspired by architecture, spaces, environment, history, and the oldest profession in Wanhua district, Taipei city. Gathering little senses and messages whispering in the spaces and the endless dream, to create and become Mari-Lynn, he/she is not only him/herself, but people who come and go, in the past, being present and keep transforming into the future.

黃至嘉

HUANG Chih-Chia

黃至嘉,自由表演藝術創作者。
從感性的身體/舞蹈出發,深入表演並善用理性思維進行創作,融合戲劇、劇場、影像、視覺、聲音及行為藝術等多元素材及觀點,於表演形式結構上不斷進行反思及實驗。近期著眼於以特定建築/空間/環境為核心基底,建立人物角色及敘事文本,創作不同形式的作品,包括舞蹈影像及現場表演獨舞作品。

Huang, Chih-Chia, a freelance performing artist.
Being emotional and sensitive as a dancer and actress, to explore through body and dance movements, at the same time, being rational to construct the narrative as a director and choreographer; gathering all the previous working experience in theater, dance, film and performance art, I have been keeping experimenting the structure and formats of my performing art's work. Recently, I have focused on the process of building up the methodology of my creative work. To discover specific architecture/space/environment and see it as the original main theme, to create the imaginary characters, dance, movements and stories which echo the characteristics, history and atmosphere of the spaces, and construct the elements into different forms, which could be presented via different media, including dance film and live-performance dance solo.

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