20 mins
W3
2026/4/18 18:00
萬座曉劇場
Wan Theater
《末日舞會》/ 選粹
Milonga del Apocalipsis / Dance Highlights
「當世界歸零，你還願意跳最後一支舞嗎？」
末日舞會 Milonga del Apocalipsis
是一場融合阿根廷探戈與當代舞的跨界舞作，
以 AI 世代的人際連結為靈感。
當科技讓我們更靠近，也讓彼此更疏離，
舞者透過雙人身體的張力與對話，
探索在失序的時代裡，人與人如何再次相遇、依偎、分離與重組。
這場舞蹈不是結局，而是一個提問，
在 AI 與人類共存的未來，
我們是否仍能找到彼此，並共舞到最後？
本舞作首演於2025年12月，完整版60分鐘。
“When the world resets to zero, would you still dance the last dance?”
Milonga del Apocalipsis (Apocalypse Milonga) is a cross-disciplinary dance work that blends Argentine tango and contemporary dance, inspired by human relationships in the age of AI.
As technology brings us closer while simultaneously distancing us from one another, the dancers explore the tension and dialogue between two bodies—encountering, embracing, separating, and reconfiguring—reflecting how people may find each other again in an era of uncertainty and disorder.
This dance is not an ending, but a question:
In a future where AI and humanity coexist, will we still be able to find one another—and dance together until the very end?
The work premiered in December 2025. The full version runs approximately 60 minutes.
吳依凡／格桑製作
I Fan Wu ／ Gesang Dance Theater
編舞／藝術總監／舞者｜ 吳依凡 I Fan Wu
視覺藝術家、跨域創作者、阿根廷探戈老師。畢業於國立臺北藝術大學美術創作碩士，2008年開始學習阿根廷探戈，舞齡十七年、教學13年。曾赴阿根廷進修多年，並以探戈為核心持續發展跨域創作。2020年成立「格桑製作」，以舞蹈劇場形式連結身體、影像與社會議題。作品《遺物計劃》入選2023艋舺國際舞蹈節國際交流單元與視覺藝術聯盟評審團獎，2025年《遺物計劃－阿嬤的衣服／共創版》獲大師小劇節評審團五星評價。曾任臺灣舞蹈生態行動協會理事，並受邀於東京、首爾、河內與阿根廷等地演出。2023、2025年與王鎮倫搭檔於Korea Tango Championships「Tango Free Style & Fantasia」獲第二名。以探戈為思想與身體的媒介，探索人、情感與科技之間的共感關係。
I Fan Wu is a visual artist, interdisciplinary creator, and Argentine tango dancer and teacher based in Taiwan.
In 2020, Wu founded Gesang Dance Theater, focusing on dance-theatre productions that interweave bodily movement, visual imagery, and contemporary social issues. Her works often draw from personal memory, everyday objects, and collective experience, transforming tango into a language for exploring intimacy, identity, and human relationships in the contemporary world.
Her work Relic Project was selected for the International Exchange Program of the 2023 Want to Dance Festival and received the Jury Prize from the Taiwan Visual Arts Alliance. In 2025, Relic Project – Grandma’s Clothes (Co-creation Version) received a five-star jury rating at the DaShi Little Theatre Festival, recognized for its integration of community participation, memory, and performance.
Wu has served as a board member of the Taiwan Dancing Forward Collective and has been invited to perform in Tokyo, Seoul, Hanoi, and Argentina. Through tango as both a physical practice and conceptual framework, Wu’s artistic practice explores resonance between the body, emotion, memory, and technology, seeking new possibilities for connection between humans and the changing world.
編舞/吳依凡、王鎮倫
舞作共構、表演/柯宛均、李杭澄
音樂設計/吳依凡、王鎮倫
燈光設計/林翰生
節目內容特別聲明:
噴霧機、LED燈
＊觀眾提醒：
《迴身》為沉浸式演出，演出過程可能包含較大的音樂／音效聲響，並可能與表演者產生互動式肢體接觸，敬請觀眾斟酌自身身心狀況後再行入場。
Audience Notice:
Echoing Body is an immersive performance. The presentation may include loud music or sound effects, as well as moments of physical proximity or contact between performers and audience members. Please consider your physical and emotional comfort before attending.
Choreography | WU I Fan, WANG Chen-Lun
Co-created & Performed by | KO Wan-Jun , LI Hang-Cheng
Music Design | WU I Fan, WANG Chen-Lun
Lighting Design | LIN Han-Sheng
