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11 mins

G3
D3

2026/4/17 20:05 2026/4/19 15:30

和平青草園

Heping Green Park

糖廍文化史蹟公園

Sugar Refinery Cultural Park

裂隙

Lacuna

身體經驗並不僅以敘事內容被保存;它也以具身形式維持一套可被再次調用的理解方式。個體在日常中反覆使用的自我敘述,會與感知線索、情緒調節與行動傾向相互耦合,形成一種「可預期的我」:某些事件被歸入熟悉的腳本,某些感受被快速命名,某些反應被自然化為理所當然。

然而若「可預期的我」開始失去自動連續性時,究竟是哪些情境線索與身體參數觸發敘事的重新配置,使自我定位得以重構?

Bodily experience is not merely preserved as narrative; it maintains a retrievable framework through embodied forms. Daily self-narratives couple with sensory cues, affect regulation, and action tendencies to form a "predictable self": events fit familiar scripts, feelings are quickly labeled, and reactions are naturalized as self-evident.
When this "predictable self" loses its automatic continuity, which situational cues and bodily parameters trigger a narrative reconfiguration, allowing self-positioning to be reconstructed?

謝劭暘/無央

Shao-Yang, Hsieh/U interval

安東布魯克納舞蹈/表演藝術碩士
國立臺灣藝術大學舞蹈學系
奧地利林茲國家劇院舞團|獨舞專職舞者

從「身體如何發聲」為核心命題,長期在動覺/感知的經驗層與表演結構的建構層之間並行思考與實作。近年透過跨地域、跨創作語彙的合作脈絡,持續深化動作的符號化運作與意圖生成,並探問表演如何在不同場域與時間框架中被重新生成。

MA in Dance / Performing Arts, Anton Bruckner Private University(Linz, Austria)
BFA, National Taiwan University of Arts
Soloist Dancer, TANZ LINZ (Landestheater Linz, Austria)
Centering on "how the body speaks," Hsieh operates in parallel between kinesthetic experience and the construction of performance structures. Through cross-regional collaborations, he deepens the semiotic operation of movement and intent, questioning how performance is reconfigured across different sites and timeframes.

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編舞:謝劭暘
舞者:謝劭暘、蘇胤勝

Choreographer:Shao-Yang, hsieh
Dancer: Shao-Yang, hsieh, Yin-Sheng, Su

logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat

Diversity

艋舺國際舞蹈節|Want to Dance Festival

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