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20 mins

W3

2026/4/18 18:00

萬座曉劇場

Wan Theater

迴身

Echoing Body

《迴身 Echoing Body》源於 2025 年白晝之夜於圓山坑道發展的現地創作。當身體置身於狹長而封閉的地下空間時,空間所承載的歷史重量逐漸浮現。那些未曾留下名字的存在,彷彿以殘響般的形式在場域中回盪,使表演者在其中感受到一種難以言說的孤寂與存在。

在空間與身體的相互感知之中,表演者並不再現某一段歷史,而是讓身體成為一個共鳴體,承受並回應歷史留下的重量。那些曾經存在於此、卻無法再發聲的身體,透過呼吸、聲響與在場的身體感,在空間中留下微弱而持續的回聲。

當作品從圓山坑道轉移至劇場空間,空間的形式雖然改變,但那份重量並未消失。那些未曾留下名字的存在,仍以殘響般的方式停留在身體之中,使表演者在不同場域裡持續感知並承受歷史留下的痕跡。

《迴身》並非歷史的再現,而是一種身體的傾聽。在時間與空間交錯的瞬間,表演者的身體承載著歷史留下的重量,也讓那些無法發聲的存在,以回聲的形式再次被感知。

*觀眾提醒:
《迴身》為沉浸式演出,演出過程可能包含較大的音樂/音效聲響,並可能與表演者產生互動式肢體接觸,敬請觀眾斟酌自身身心狀況後再行入場。

Echoing Body originated as a site-specific work developed for Nuit Blanche Taipei 2025 in the Yuanshan Tunnel. When the body is placed within a long, enclosed underground passage, the historical weight carried by the space gradually begins to surface. Presences that have never left behind a name seem to reverberate within the site like echoes, creating an atmosphere in which the performer senses unspoken solitude and existence.
Through the mutual perception between space and body, the performer does not attempt to reenact a specific historical event. Instead, the body becomes a resonant medium that receives and responds to the weight left by history. Those who once existed in this place but can no longer speak appear through breath, sound, and the presence of the body, leaving subtle yet persistent echoes within the space.
As the work moves from the Yuanshan Tunnel into the theatre, the form of the space changes, yet the weight does not disappear. These unnamed presences remain within the performer’s body like lingering echoes, allowing the body to continue sensing and carrying the traces of history across different environments.

Echoing Body is not a reenactment of history, but an act of bodily listening. In the moment where time and space intersect, the performer’s body carries the weight left behind by history, allowing those who can no longer speak to be perceived again through resonance.
Audience Notice:
Echoing Body is an immersive performance. The performance may include loud music or sound effects, as well as moments of physical proximity or contact between the performer and audience members. Please consider your physical and emotional comfort before entering.

陳薇伊

Wei-Yi Chen

陳薇伊,臺灣獨立舞蹈藝術家、編舞家與身體引導者,創作關注身體覺察、觀看與被觀看、身體自主與存在狀態。作品多以獨舞與現地形式發展,結合當代舞、即興與身體實踐,回應個人生命經驗與社會脈絡。曾於臺灣與歐洲多個平台呈現作品,並於盧森堡駐村創作。近年持續拓展國際交流,並將於 2026 年前往美國 American Dance Festival 駐村,透過細膩而誠實的身體語言開展跨文化對話。

Wei-Yi Chen is a Taiwanese independent dance artist, choreographer, and body awareness facilitator. Her artistic practice focuses on bodily perception, the dynamics of seeing and being seen, bodily autonomy, and states of existence. Through solo works and site-responsive performances, she integrates contemporary dance, improvisation, and embodied practices to explore the relationship between personal experience and broader social contexts.

Her works have been presented on various platforms in Taiwan and Europe, and she has undertaken a residency in Luxembourg. Chen continues to expand her international collaborations and will participate in the American Dance Festival residency in 2026. Through a sincere and attentive physical language, she seeks to open dialogues across cultures and contexts.

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編舞/表演者:陳薇伊
燈光設計:郭祐緯
聲音設計:陳薇伊

節目內容特別聲明:
《迴身》為沉浸式演出,演出過程可能包含較大的音樂/音效聲響和大量閃光燈效果,並可能與表演者產生互動式肢體接觸,敬請觀眾斟酌自身身心狀況後再行入場。。
Audience Notice:
Echoing Body is an immersive performance. The presentation may include loud music or sound effects, as well as moments of physical proximity or contact between performers and audience members. Please consider your physical and emotional comfort before attending.

Choreography / Performance: Wei-Yi Chen
Lighting Design: You-Wei Kuo
Sound Design: Wei-Yi Chen

logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat
logo2_EmikoAgatsuma - AGAXART Emiko Agat

Diversity

艋舺國際舞蹈節|Want to Dance Festival

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