15mins

共融、舞蹈錄像、當代舞
Inclusive, Video, Contemporary

YEN, KAI LUN

顏楷倫

限時/現實

Remind/Rewind

《限時/現實》以媒體作為肉身、意識及感官的延伸為概念發想,從身處於錄像以及現實中的表演者,探討「虛擬」與「真實」間的界線與關聯性,從「如何觀看」、「如何涉入」、「如何行動與反應」作為出發點,當虛擬與真實的世界並置於同一場域時,身為觀者還可以找到什麼樣的觀點與視角,來作為演出的切入點,進一步釐清人體之所以作為影像的內容,從中可以得到如何的擴延思考。


並強調現實與影像中「時間」的存在性,讓時間的體感,回歸到多元的感官組合(視、聽覺)之上,藉由錄像的時間具有「可調變」的性質,那這個性質是否也可以反過來再次介入現實中,模糊現實與虛擬之間的時間線,兩者進行一場複雜的時間對話。


進一步藉由空間及影像視角的切換,營造觀者在同步觀看時的交錯感,也探討身處於被眾多電子產品、社群媒體所包圍的世代中的人們,已經是被禁錮在影像中、無法逃脫的想像,進一步省思自我與現代社會中的媒體之關係與關聯性。

《Remind/Rewind》Based on the concept of media as the extension of flesh, consciousness and senses, discussing the boundary and correlation between "virtual" and "real" from the performer in video and reality, and takes "how to watch", "how to involve" and "how to act and react" as the starting point. When the virtual and real world are juxtaposed in the same field, as a viewer, you could also search what kind of perspectives can be used as entry point of the performance, and further clarify the reason why the human body is the content of the image, from which you can get how to expand thinking.

It also emphasizes the existence of "time" in reality and images, so that the body feeling of time can return to multiple sensory combinations (vision and hearing). Through the "adjustable" nature of video time, can this nature intervene in reality again, blur the timeline between reality and virtual, and conduct a complex time dialogue between them.

Further, through the switching of spatial and image perspectives, we can create a sense of interleaving when viewers watch the performer and video synchronously, and also explore the imagination that people in a generation surrounded by electronic products and social media have been imprisoned in images and can’t escape, so as to further reflect on the relationship and relevance between themselves and the media in modern society.

現就讀於北藝大舞蹈所創作組二年級,街舞舞齡約十二年,自大學時期開始參與劇場演出。 曾參與舞作如:
松菸Lab新主義 劉冠詳 《野外》、
破殼藝術節 驫舞劇場 《根據真人真事改編》、
北藝大舞蹈系年度展演 劉奕伶 《13+1》、
艋舺國際舞蹈節 耿一偉/鋰舞團 《You Jump, I Jump》。

在作品創作上的中心思想為: 「尋找不同的方式來觀看與連結世界、挑戰對既有觀點的認知,藉由對現象或是議題性的提問,在以身體為創作媒材的基礎上,以文本與理論為輔,進行時間、空間、感知上的解構與再製造。」 並在音樂、動畫、影像、戲劇方面,致力於不同表演形式和媒材的學習與結合, 探索伴隨著新科技而來的新觀演關係與世界觀。

I’m studying master’s degree in TNUA now, and major in choreography, I have been a street dancer for twelve years, and have participated in theater performances since I’m in college.

The main idea in the my creation of the work is: "Finding a different ways to see and connect the world, challenge the cognition of existing views, and deconstruct and remanufacture time, space and perception by asking questions about phenomena or social issues, which is based on the body as the creative medium and supplemented by literature and theory." In terms of music, animation, images and drama, it is committed to the learning and combination of different performance forms and media materials, and explores the new relationship and world view with new technology.

編舞/技術/影像製作:顏楷倫
舞者:周子郁

Choreographer/Technical director/Video design:
YEN, KAI-LUN
Dancer: CHOU, TZU-YU

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攝影:謝承翰