「親愛的，我想叫你親愛的，可以嗎？請容我這樣叫你，我才能感到和你靠近，靠近你左邊胸膛，你的唇，和兩腿之間。每次吐息你都發燙，雙眼迷離地叫我寶貝⋯⋯不，不是寶貝，是親愛的。我聽見那晚有人叫你寶貝，不要說是我不對，更別說是個誤會，你知道我永遠不會。我想我會叫你親愛的，寶貝，希望我們如此親密。」
當身體作為種符號，我們所召喚出來之美的應是多元。身體經由解放後，我們得以從身體感受到希望 ，而希望之後又是什麼，也許是找到身體與自己，且之於他人的關係，是親密是疏離，是依戀也是逃避，這也許沒有正確解答，單身、伴侶甚或是已婚，是時候我得誠實面對自己，可能要試著讓自己符合市場需求，或是發現新關係的可能性，而這，將從身體開始。
在《親愛的，It's Happening》之中，以第一人稱的角度，爬梳一段感情關係的最初發展的允許、接受，在聲音、視覺與身體語彙，呈現出慾望的虛幻真實交替，而交織出有血有肉的自己。
My dear, I want to call you dear, may I?
Please allow me to do so, that I can feel closer to you, to your chest, to your lips, and to where between your legs.
I heard someone calling you baby that night, maybe I was wrong, I know you never leave.
I think I will call you dear, to make us closer.
If we can liberate our bodies, maybe there is hope following by the freedom. But what comes after? Finding the relationship between our bodies is the way to freedom. Are we looking for the feeling of intimacy, alienation, attachment or escape? There won't be a correct answer. It's time for us to be honest, we have the desire, we have the thoughts. All begin on re-finding our bodies.
In this piece, "Love, it's Happening", narrated by the first person point of view. When we jumping into a relationship, we automatically transformed the illusion and desire into sound, image, body vocabulary, and presence to create a new me.
演出團隊
共同創作／演出：左涵潔、高偉恩
製作人：詹沛琪
技術統籌：邱劉亞婷
執行製作：馬嘉佳
美術設計：張峻碩
音樂設計：張芮瑄
Creatives & Cast
Director/Performer: Tso Han Chieh, Kao Wei En
Producer: Chan Pei Chi
Stage Maneger: Chiu Liu Ya Ting
Executive Producer: Ma Chia Chia
Stage designer: Jhang Jyun Shou
Music dedigner: Rere Chang
贊助單位：正大集團｜財團法人永壽文教基金會｜久號
❊ 演出內容含有大聲響、裸露、成人議題等片段。
両両製造聚團
Double & Cross Theater Group
両両製造擅長以劇場與設計元素揉合為創作核心，跨越表演類型，製作呈現出不同主題內容與概念觀點，著重於議題與戲劇元素的整合，透過 多元的展演形式、手法，創造出讓觀眾產生共鳴、感動、反思的觀戲體驗，使創作者、表演者、觀賞者之間啟 動形而上的對話與交流。在劇場裡，演出與觀看之間，不再只是單方面地給予與接收，而是充滿了內觀的熱情、對社會的細密觀察、彼此人生經驗 的交互映照。
Double & Cross Theater Group was found in 2014, based in Kaohsiung. Focusing on crossing borders between issue discussion and theater productions. Through our productions we hope to bring out the conversation between performers and audiences by the interaction and perspective exchanging in our performance. Not only giving and taking but also involve in social investigating and life experiencing.
