This time, the production is mainly based on games, and people are experimenting with games.
Imagining and remembering from the experience of the epidemic, people wear masks, keep a distance from each other, and isolate each other. They also suspect each other in their minds that all people and things around them may be at risk of infection, and even create barriers and gaps in each other unconsciously.
It has been more than a year since the outbreak of the epidemic. Up to now, we may not have the same sense of crisis as it was at that time, but the gap between them has not diminished with the passage of time. Perhaps we have already had doubts between us.
Here, I want to break the spiritual distance between people through games.
When it comes to games, you will think of rules, and this time the rules are "Why do people still feel such uneasy because of the fear and norms of the epidemic?" The rules are also the question I want to raise and the purpose of the treatment of the psychic experiment. , And in-depth discussion of the game, the rhythm behind the game is often the interesting and attractive part of this game. If we can lead each other to jump through this rhythm, I don’t know what effect it will have.
When it comes to the relationship between the game and Leap, I think that the necessary existence is the element of "foot", as well as the imagination of Leap. Leap can jump to a specific area or point in time, just like a game can lead players through a series of Through the rhythm of the game and Leap’s imagination in the game, the dancer and the audience are led to enter the game atmosphere together, making the space at this moment a memory, and letting people interact with it. The estrangement in the world becomes a memory.
Creatives & Cast
Executive Producer/Liu Chieh-Wen
Public Relation/Wang Yi-Wen
Graphic Design/ Yeh Chai-Ju
Lighting Technology/ Yang Sheng-Po
Music Design/ HSIAO CHEN-BANG
Music Guidance/ Lee Chen-HAO
Dancer/ Liu Chieh-Wen, Hsueh Yo-Kai, Zhan Ya-Chun, Wang Yi-Wen, Yeh Chai-Ju
I am currently studying at the Dance Institute of TNUA. I am also a dancer in the Legend Lin Dance Theatre. In recent years, my works and explorations are mainly based on psychology and games, and I use dance to express what I see and hear.
"Frolic in the City" This team mainly hopes to explore and study the relationship between people and society in unknown areas through games, and express it through performances!