"The Endless Road" is the first project of Vanbody Theatre's walking program, drawing inspiration from two main elements accumulated by WU Wentsui: "Trekking" and the "imprinting of tea." Trekking is a form of dynamic meditation, transitioning from movement to stillness, offering a path from the ordinary to the extraordinary. Imprinting tea, on the other hand, is a form of static meditation, transitioning from stillness to movement, employing an abstract approach to tangible creation.

Set against the backdrop of the Tamsui River, where WU Wentsui frequently walks, the river mouth symbolizes Taiwan's gateway between heaven and earth, serving as a conduit for the exchange of energy. Moreover, it represents both a geographical exit and a historical entry point, as well as a crucial intersection for Taiwan's international connections.

As the historical and cultural pathways stretch along the rivers, the Xindian River, as one of the tributaries of the Tamsui River, brings endless richness and prosperity as it flows through Bangka.

Walking along this river path, our bodies sway with the flowing water, dancing with the scent of tea. Step by step, following the meandering river into Bangka, our footsteps overlap with those of our ancestors. In an instant, on the straight and endless road, the echoes of the past, present, and future merge. In this narrative, we are both ourselves and not ourselves.